↠´ O Manual dos Inquisidores á Download by ☆ António Lobo Antunes Ovo je jedno od onih pripovedanja u kojima ne smete da preska ete re enice i pasuse, ne zato to ete propustiti va ne detalje i izgubiti se u daljoj pri i, ne, pri a je svakako jednostavna samo razbacana, ve zato to je svaka re enica tako bogata re ima, tako bogata opisima, tako bogata smislom, tako mo na i tako unikatna Kakva ambicioznost, kakva megalomanska hrabrost da se ovako pi e.
A ukoliko postoje ikakve dileme kako prepoznati dobro preveden roman, ma ta dobro kako prepoznati savr eno preveden roman, ovo bi valjalo itati na studijama jezika, davati na analizu svakom ko po eli da se bavi tim pozivom i freneti no i dugotrajno aplaudirati prevoditeljki koja je omogu ila doma oj publici da u iva u punokrvnosti kvaliteta ovog pripovedanja.
https bezimenaknjizevnazadruga.
word meu Deus como tudo claro agora.
Everything is now clear Or not We are driven into the story of Francisco, a high ranking minister in the Salazar dictatorship who wants it all but things happen.
His wife Isabel leaves him He pines for her and takes a mistress, Mil whom he dresses after his ex wife Gostas de mim n o gostas Isabel Creepy.
Politically he loses and he retreats to his farm remembering the days when the professor Salazar visited him He remembers his past during the Carnation Revolution THere are so many memories so much time lost Love and loss The Angolan war His farm with the cypress treed lane As the title suggests, an interrogation.
Chichi senhor doutor chichi quem fez um chichi lindo chem foi Francisco is not a nice man Ambitious, cruel, harsh and driven His son Jo o is not like him He treats women very poorly He gets what he deserves Maybe Morreu assim que tocou na cal ada senhor ministro Francisco s life is recounted by many narratives This is the poetic, cryptic and powerful language of Portugal s Antonio Lobo Antunes To be honest, this is challenging material Lobo Antunes divides the book into five chapters within each chapter is a story relato and a commentary by others His language jumps around and plays on repetitive sentence structures that makes the entire narrative possibly one of the most unique voices in literature Similar and yet different to his companion Jose Saramago, it can evoke and puzzle you all at the same time One needs to read passages out loud to clarify To get the whole story, we need many voices This is ambitious stuff but reading it I was mesmerized by the flow.
This is not a flattering view of this man and the people around him It is a snapshot of a time in Portugal s history that changed completely Francisco, or people like him were caught up and left out Reality Very much reality.
Without a doubt, Powerful stuff.
Il Manuale Degli Inquisitori La Somma Dei Resoconti Che Cinque Personaggi, Tutti Legati Fra Loro, Fanno Degli Stessi Avvenimenti Joao, Ingegnere Di Origini Contadine Capitato In Una Famiglia Dell Aristocarazia Portoghese Che Non Vuole Accettare Titina, La Devota Governante Del Focolare Domestico , Che Coltiva Segrete Aspirazioni Materne Paula, Sorella Minore Di Joao E Figlia Illegittima, Che Passa La Sua Gioranta Ad Immaginare Una Vita Che Avrebbe Potuto Essere E Che Non Stata Mila, La Giovane Amante Del Padre Di Joao, Attraverso La Quale Rivive Il Mito Dell Antica Sposa E Infine Il Padre Di Joao, Potente Ministro Di Salazar, Personaggio Simbolo Del Portogallo Vecchio, Che Ha Vissuto Un Lungo Declino Prima Di Scomparire A Questi Resoconti Si Aggiungono I Commenti Degli Altri Personaggi Che A Mano A Mano Vengono Coinvolti Nella Narrazione Ritroviamo Cos La Figlia Del Fittavolo Sedotta Dal Padrone, L Ex Moglie Di Joao E Suo Zio , La Cuoca Di Casa, Nonch Madre Di Paula, Un Veterinario, La Terapista Del Ricovero Della Misericordia, Un Handicappato, Un Portiere, Un Ex Ufficiale Dell Esercito Tutti Quanti, Con Le Loro, A Volte Contradditorie, Storie, Versioni Dei Fatti, Fanno I Conti Con Se Stessi, Con Il Portogallo Grazie A Questo Sapiente Intreccio Di Voci, Lobo Antunes, Sullo Sfondo Della Corrotta Societ Portoghese Negli Anni Della Dittatura Salazarista, Ricompone Una Saga Centrata Sull Idea Della Casa Tutelare Qui Per Domina L Assenza Di Un Nucleo Famigliare Perfetto, Completo, Quasi A Suggerire L Impossibilit Della Pienezza Della Realizzazione Totale Dei Propri Desideri E Delle Proprie Aspirazioni, Essendo Ognuno Vittima Di Un Destino Scritto Da Altri, Contro Il Quale Non Si Pu Combattere O ovome je ba te ko pisati jer je nemogu e preneti utisak koji Antune ov stil ostavlja tj prevod Tamine op koji naprosto klizi, poslala bih joj cve e i bombonjeru U svakom slu aju, ovo je niz od 19 poglavlja podeljenih na izve taje i komentare izve taje pi u ili govore ili misle glavni junaci, dok komentare pi u ostali, kao nekakav korektiv istine koja je svakako vrlo problemati na.
Rekla bih da je ovo istovremeno i oma piscima poput Foknera i D ojsa, ali i izrazito lirski intoniran roman koji u nizu razli ito konstruisanih tokova svesti uspeva da odr i vrlo jednostavan i tradicionalan model fabule kako je propala diktatura, odnosno, kako je propao jedan ovek Ono to je Salazaru bio Portugal, Fransi ku, glavnom junaku, predstavlja farma na kojoj terori e kuvarice, gavrane, pse, suprugu, sina, a najvi e sebe Postoji niz metonimija koje vezuju model farme za model portugalske diktature papagaji koji ponavljaju da vole Salazara ljudi , a potom crknu od te ljubavi Mila kao nakaradni hibrid anahrone li ne kolektivne istorije koju Fransi ko pateti no poku ava da o ivi itd , a ipak, ovo ne li i na satiri ni politi ki roman Mene mo da najvi e podse a na Bernhardov obra un sa austrijskim fa izmom u Brisanju Raspad, uz napomenu da je strukturno, ovo delo mnogo kompleksnije i izazovnije Meni se posebno dopada to to ne znamo kome se obra aju svi ti ljudi, ko je taj ti inkvizitor i koji snimaju, ali bih rekla da je to Sada njost koja poku ava da se istoriografski razra una sa pro lo u, a nu no zavr ava u fiktivnom, konstruisanom dobri stari postmodernizam ta no se vidi da itam Lindu Ha ion xD Naposletku, citat iz monologa majke devojke Mile koja podse a na Fransi kovu enu koja ga je napustila, i koju majka gotovo prodaje ministru radi boljeg ivota nasumi no sam odabrala jer je sve povezano ali nisam ga se pla ila jer sam znala da nema opasnosti da se matori okane moje erke, jer, ak i da ne ispuni ono to je obe ao i ne o eni se njome, nastavi e da dolazi svakog ponedeljka i petka posle Ministarstva, sa svojim e irom, cigarom i selja kom ode om, lasti tregerima i strukom svadbenog narda, tako ceremonijalan i tu an, se e kraj Mile miluju i joj potiljak, vrat, ramena vla nim prstima dok grad polako tone u mrak i ja ih gledam iz hodnika, gledam ih iz svoje sobe, gledam kako starkelja pola e glavu u krilo moje erke koja se osmehuje, trep e i klati se napred nazad kao mrtva lutka This is my third book by Ant nio Lobo Antunes My third book of human depredation and horror My third book of alienation and lost love Unloved children corruption blood rutting in place of love Lobo Antunes paints a disturbing view of the world but he never seems to get beyond what is real He is always within reach of the believable No matter how far he goes in his infernal travels, the reader, at least this reader, cannot get off Human existence is always the topic of discussion The technique in The Inquisitors Manual is one of report and commentary by numerous witnesses to the events Everyone has a point of view everyone suffers Everyone loses The topic is power and loss in the time of the Salazar dictatorship in Portugal Power is abused The central character, the Minister, takes everything he wants, brutally and sadistically But he possesses none of it The one thing he wants most, the love of his wife, escapes him And so he abuses the women around him treats them like slaves You there I d make as if to escape too, heading to the pantry to hide among the pots of jam and sacks of rice, and Senhor Francisco would cross my path, with his cigarillo almost touching my nose Be still and it was me, not his wife, that he bent over the sink, me whom he grabbed by the hair as I pleaded Don t hurt me And then You there a child I buried with my own hands down by the river, she and I sticky wet with each other, bleeding the same blood, it was me whose thighs Senhor Francisco wrenched open with his fingers, ordering Be still The inhumanity of power and frustration of power And then comes the loss of power, complete loss of power my father who at night is dragged off to bed by two female staff workers in an agony of shuffling slippers Who s the good little boy who goes to bed when it s time for beddy bye they undo the string on his pajamas, unbutton his fly, place a bedpan under his scrawny legs, all bones and hair Time to go wee wee, Senhor Francisco, time for wee wee, come on, there you go, that s a good boy, tonight you re not going to be naughty and wet your nice clean sheets, are you I do everything a woman wants except take my hat off, so she knows who s boss Humanity is what it is Flesh and blood, sweat and urine and shit We like to pretend that we are strong that we are rational that we are good It s always a struggle It s so easy to slip and fall into the muck we have made with our own bodies Ant nio Lobo Antunes describes a world that is much like that of Cormac McCarthy and Samuel Beckett, except it s real It s not really a work of the imagination This is Dante s Inferno brought to the surface and made real I shall continue to read Lobo Antunes I suppose I want to see his world, our human world, from all of the angles.
I ve heard about The Inquisitors Manual from a number of my GR friends They warned me that this wasn t a book for the sensitive people That is why I saved my read to September, the month when I usually feel harmonious and balanced, and the nature is melancholic but beautiful Smart move, because it was a journey through a dark and unfavourable landscape.
Salazar s Portugal is the world of dictatorship, corruption, torture and blood Add lost love, incapability to love, abandoned children, abuse of women and plenty of evil and misery of all kinds, to get the picture of which subjects are brought up in the book Not an easy read, thematically , and I disliked most of the characters yet cried tears for them.
Stylistically, it was brilliant and powerful writing Several different narrators told the story in reports, minor characters filled out the gaps in commentaries Change of perspective, playing with reality, cryptic and poetic language made all this book a unique experience That being said I need to add that I m not sure how much I got from the book, nor did I try too hard to understand everything I simply went with the magnificent flow of beautiful words I enjoyed the book as the melody and that s maybe odd to state about a book of fallen humanity, but this is how it was for me.
I m grateful to Tamina op, whose brilliant translation to Serbian made it possible for me to discover the book and the author.
O Manual dos Inquisidores 1996 surpreendeu me, agarrou me desde o in cio e foi subindo em envolvimento at bem perto do final Na forma, temos o virtuosismo impar vel de ALA que n o escreve hist rias, modula mundos hist ria para os quais nos transporta O tema o Estado Novo, ou melhor, o povo portugu s e a sua rela o com a ditadura e seus principais atores, como via e sentia, como moldava os seus pr prios seres e costumes na submiss o quela realidade pol tica Ajuda o facto de Antunes ter optado por um registo de com dia, ainda que muito negra, que contribui para criar um olhar distanciado sobre uma realidade muitas vezes impr pria para os mais sens veis.
Come ando pela forma, o mais impactante do livro tem que ver com a dimens o tempo que est praticamente ausente Existe enquanto cronologia, marcos temporais que oferecem b ias a que nos podemos agarrar de tempos a tempos, mas os discursos surgem independentemente destes, podem come ar num passado e a seguir j estarem no futuro, e depois no presente, trocam de lugar como quem sai de casa ou olha pela janela E ao mesmo tempo, ainda que possa causar alguma fric o, n o deixa de se conseguir assimilar, n o deixa de conseguir fazer nos sentir, porque os ndices e os informantes, assim como as suas redund ncias, est o l , s o continuamente agitados por Antunes para nos manter no trilho, ou melhor, nos m ltiplos trilhos Porque Antunes n o conta uma hist ria, ele cria um universo com o seu texto, para onde nos transporta, nos faz viver e sentir, e encarrega nos de decidir o que retirar da experi ncia A moral, a li o, o mote da leitura da obra n o saber o que aconteceu a A ou B, n o s o as consequ ncias ou os efeitos das causas, dos conflitos infligidos N o o fim, porque o processo, porque do processo que se cria mundo, mundo hist ria, que nos envolve e nos faz sentir naquela realidade, como se por l tiv ssemos passado, como se tudo fossem mem rias guardadas, em parte esquecidas ou apagadas pelo tempo, fiapos de vis es de uma realidade hist rica, que para muitos de n s s faz parte do imagin rio imagem A obra de ALA nunca fala da Inquisi o, e no entanto o t tulo uma alus o direta mesma.
Mas n o s de forma que vive este livro de Antunes, do muito que tem para dizer e do modo como indicia, desde o t tulo aos personagens e seus adjetivos, o assunto que tem para revelar Antunes parece com este livro querer dar uma aula a tantos portugueses que insistem em ver em Salazar e no seu tempo como o melhor de Portugal, como apesar da falta de liberdade, ramos t o mais felizes, e acima de tudo t nhamos um Estado rico Antunes leva nos pela m o at ao marco temporal do Estado Novo portugu s, assistimos ao antes, depois e sua queda, vemos personagens do antes a viverem no depois, vemos as diferentes classes caricaturadas que formaram e ainda formam um povo O ditador passa ao largo e ALA d o a sentir como se estivesse distante e ao mesmo tempo sempre presente Se o t tulo da obra quer ligar Salazar Inquisi o, n o sou eu quem o questionar tal, e n o podendo dizer melhor sobre a compara o, deixo um par grafo de um artigo escrito para uma revista brasileira de Estudos em Literatura, por Melo 2008 Lobo Antunes toca na ferida e desmascara toda a mediocridade moral da sociedade portuguesa contempor nea ao relatar que, mesmo com toda a repress o e autoritarismo de uma ditadura que cerceou toda a liberdade civil e intelectual da na o, o submisso povo lusitano aceitou ou, como vimos, idolatrou o regime salazarista, personificado em Francisco Sobre esta passividade de aceita o de uma autorit ria administra o, podemos tra ar outro paralelo com a Inquisi o, quando Saraiva argumenta que A actividade inquisitorial p de exercer se sem fortes reac es internas, porque n o existia uma classe m dia com independ ncia econ mica e mental, e tamb m esta situa o lhe anterior Saraiva, 1993 132 Melo, 2008Nota Francisco, um dos principais protagonistas, no papel de um poderoso ministro de Salazar.
Publicado no VI



Knjiga koju sam zaista elela da uvrstim u favorite.
Mogu da razumem hvalospeve,ovo je jedna od onih knjiga koju uzme i ima ose aj da ita ne to veliko,zna ajno i uvu e te u taj ose aj posebnosti.
Ali iz ugla jednog te kog minimaliste, koji uvek voli kada se zaljubi u baroknu poeti nost ceo tok naracije mi je bio vrlo odbojan.
Rasko an ali ne i bogat, nedovoljno fokusiran, neopipljiv.
Gotovo pre esto suvi an.
Kao i koli ina zareza u mom dosada njem tekstu.
Ovo to smatram manjkom je zaista subjektivno jer iskreno, smatram da je knjiga izvrsno napisana i naracija joj vrlo prili i, Lobo se igra sa perspektivama, pro ivaljavamo iste doga aje iz razli itih uglova, istina nam se daje kroz mnogostruke prizme, na ka iku, iz ne pouzdanih izvora koji nam ne otkrivaju svoje namere vot je mra an i konfuzan lavirint, ali ja volim svoj da o istim i da numeri em hodnike po to sam smara.
Lobo nije.
I pored toga, svima bih preporu ila knjigu I ako Vam se ne svidi toliko, dobi ete ne to vredno.
The Inquisitors Manual is a burlesque of misery m salliances, matrimonial unfaithfulness, divorces, ignorance, stupidity, incompetence, ugly vices, social cataclysms, decline and fall I must have been fifteen or sixteen years old because the new garage next to the beech trees was being built, the tractor rumbled beyond the vegetable garden, and the metal blades of the windmill creaked in the heat when I heard murmurs and whispers and steps in the chapel, not the sounds of chickens or turtledoves or magpies but of people, perhaps the gypsies from Azeit o making off with theVirgin Mary and the carved candlesticks women in black skirts, men blowing on flames under coffeepots, sad scrawny mules and I grabbed one of the canes from the stoneware umbrella stand in the foyer and trotted across the dining room where the chandelier sprinkled glass shadows onto the tablecloth, I leapt over the flower bed with birds of paradise, I leapt over the petunias, the chapel door was open, the candles fluttered under the arches, but I didn t find the Gypsies from Azeit oI found the cook lying flat out on the altar, her clothes all tousled, with her apron around her neck, and my father beet red, cigarillo in his mouth and hat on his head, holding on to her hips and looking at me without anger or surprise The Inquisitors Manual is about a pig style of living in a pigsty of the world the rich are greedy an villainous while the poor are grudgeful and wicked And meanness has the highest utility because it is a main propulsion device allowing to reach power I never went than two or three times to the farm in Palmela, I don t like cows, I don t like pigs, I don t like the smell of manure everywhere you turn, and I didn t like my father in law eyeing me from head to toe as if he d never seen me, as if I hadn t already been his daughter in law for ten years A skinny hothead without hips, you don t know how to pick out a heifer, Jo o eyeing me without the slightest hesitation, shame, or scruple, indifferent to the housekeeper, to the maids, to our kids, and to the broad with a lapdog who sat next to him on the sofa, a sinister, incredibly tacky broad in her fifties, dressed up at five in the afternoon as if for a baptismal ceremony in Alg s or some other nouveau riche suburb, the widow of a small town pharmacist or civil servant who liked to call me dear and touch my arm when she talked to me, I hate to be touched, and the old broad would grab my arm The meaner one gets the higher one manages to climb a social ladder But does it pay Prvi put u sto godina mogu da se slo im sa nekim blurbom Kada se Antune razmahne stoji rame uz rame sa Vilijamom Foknerom ili Selinom Jer to jesu prva dva pisca koja padaju na pamet tokom itanja, prvih tridesetak strana malo malo pa sam morala da zatresem glavom jer mi se sve ukazivao Avesalome, Avesalome Posle se utisak razi ao Ovo je mo na knjiga, fenomenalno koncipirana i izvedena i onako lepo i bogato prevedena poen za Taminu op ali nije za osetljive Ba nije da je neko sklon depresiji ita u novembru Ne samo to ima nasilja i mu enja a ta ste o ekivali od knjige o ministru u fa isti koj vladi i maltretiranja pot injenih svih vrsta, osobito ena isto nego ima i ne eg te eg Kako da vam ka em ja bih u ovaj blurb dodala i Tomasa Bernharda Jer Lobo Antune mrzi ceo ljudski rod, ali vi e nego fa iste mrzi malogra ane, a vi e nego malogra ane mrzi malogra anke ok, Bernhardu treba priznati da mrzi nepristrasno oba pola i od bezbroj glasova koji se uju u romanu najgrozniji i najkarikiraniji jesu njihovi glasovi I jeste da povremeno ima pravih bisera crnog humora i satire, ali do njih treba da se gaca kroz ljudsku patnju i mr nju i momente od kojih se stomak prevr e Pritom svi glasovi pri aju bar po dve stvari istovremeno, sada njost i pro lost se prepli u, svako vu e na svoju stranu i zna samo deo pri e i ono to je najstra nije i naj alosnije jeste to do kraja knjige italac po ne da ali sve te likove kao tu ne, usamljene nesre nike I to izazivanje sau e a je zapravo pravi podvig autora jer su mu likovi odreda u rangu od nesimpati nih do monstruoznih.
Vrhunski je ovo roman Ali pazite kad i kako ga itate i neka vam pri ruci bude ne to ute no, neko ebence, ma ka, ne to Treba e.